xt7ht727dm6m https://exploreuk.uky.edu/dips/xt7ht727dm6m/data/mets.xml White, Clarence Cameron, 1880-1960 1918 scores (documents for music) M218 .W6 op.12 1918 no.1 English C. Fischer Contact the Lucille Little Fine Arts Library for information regarding rights and use of this collection Violin and piano music -- Scores and parts Spirituals (Songs) -- Instrumental settings Chant: Nobody Knows De Trouble I've Seen, 1918 text 1 score (5 pages) + 1 part (1 pages), 31 cm. Call Number: M218 .W6 op.12 1918 no.1 UK Libraries has committed to retain one copy for the HathiTrust Shared Print Program Chant: Nobody Knows De Trouble I've Seen, 1918 1918 1918 2023 true xt7ht727dm6m section xt7ht727dm6m  

 

 

\ CLARENCE -CAMBRON WHITE

 

LIBRARY

 

 

 

 

COMPOSITIONS °FORMOLIN ANDPIANO

MUSIC
LlBRARY

Op.12
BAN DAN NA SKETCHES (FourNegroSpirituals)

1319.1 CHANT (NOD06. knows de trouble I've Seen 51171
No.2 LAMENT “‘ (firm troubled in mind) (13511723 x )
NO 3 SLAVE ,SONG ( Many thousand gone )(151173)

NO4— NEGRO DANCE (Sometimes lf‘eel like a
Motlgerless Chlld.) (151174) x

Op]
No.1 TWILIGHT (8179‘)~ x
No.2 CAPRICE (B1792)~ 4v
No.3 SERENADE (B1795)~ x
No.4- VALSE COQUETTE. 151794147
0918
FROM THE COTTON FIELDS
No.1 CABIN SONG (31199) k 4~
No.2 ON THE BAYOU (51200) 4”
N05 SPIRITUAL (B1201) ye
Op.26
SCOTCH IDYL (151891) J: r «2‘

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BANDANNA SKETCHES
(FOUR NEGRO SPIRITUALS)

N9 1. Chant (Nobody Knows de Trouble I‘ve Seen.)

N92. Lament (I’mTroubled in Mind.)

N9 3. Slave Song (Many Thousand Gone.)

N9 4. Negro Dance (Sometimes IFeelLike a Motherless Child.)

Introductory Note

Negro Spirituals directly based upon original Afro-American Folk-Songs
are to be classed among the most remarkable musical achievements of the col-
ored race. Their originality and emotional power are truly expressive of the
negro‘s inner life, and their nature and make-up illustrate his spiritual ideals
with compelling and convincing force.

The Spiritual has nothing in common with rag-time or the so-calledmin-
strel song, but is always a fervent declaration of what the colored race looks

forward to in the hereafter, the yearning for deliverance from oppression and V'

misery, and the child-like beliefs in the truths and promises of their relig-
ious faith.

In arranging these Bandanna Sketches for the violin,it has beenthe pur-
pose of the author to do so without unnecessary e1aboration,and to preserve in
every way possible, the characteristics of the original Spirituals, particular-
ly as the violin more than any other instrument is capable of expressing their
pathos and simple beauty, quite as irresistibly as the human voice itself.

G. S.

 

 

 

  

ox " ' MUSIC '

Sheet Music Edition (‘48 Played 5.7 In“ Krewler)

3.1171 1. CHANT 3

D"
(Nobody knows de trouble I’ve seen) “BOA

CLARENCE CAMERON WHITE
013.12, N9 1

Slowly, and with religious fervor n

    

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MUSIC

(As played by Fritz Krez‘sler)

3n : Down bow Sheet Music Edition 1 CHANT
V = Up bow 3.1171 LIBRARY

$1 = E string Music (Nobody knows de trouble I’ve seen)
II: A string M
(111m string 348 VIOLIN
IV:G string ,WE CLARENCE CAMERON WHITE
cell Op.12, N91
HWY,

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