xt7z610vtj53 https://exploreuk.uky.edu/dips/xt7z610vtj53/data/mets.xml The Kentucky Kernel Kentucky -- Lexington The Kentucky Kernel 1974-11-09 Earlier Titles: Idea of University of Kentucky, The State College Cadet newspapers English Contact the Special Collections Research Center for information regarding rights and use of this collection. The Kentucky Kernel The Kentucky Kernel, November 09, 1974 text The Kentucky Kernel, November 09, 1974 1974 1974-11-09 2020 true xt7z610vtj53 section xt7z610vtj53 KENTUCKY

I 1 University of
V0 L LXVI No 67 Kentucky
paper

November 8 9. 1974 an independent student news l—xmﬂton K) 40506

HOMECOMING ’74

Liberty Bowl could be
lone possibility for Cats

By JIM MAZZONI
Kernel Sports Editor
By MARK LIPTAK
Kernel Staff Writer

In the last couple of days
Kentucky's hopes for a bowl bid
have diminished from several
possibilities to what in all
likelihood is now one —- the
Liberty Bowl.

Rumors were lingering earlier
in the week that Kentuacky had
the inside track on the Peach
Bowl. and following further
research at that time. it was
learned that the Wildcats were
also at least on the Committee
lists of the Fiesta Bowl. the
Astra-Bluebonnet Bowl. the
Liberty Bowl and the Sun Bowl.

THEN. T0 shock a lot of
Kentuckians who supposedly had
a line to that inside track. a
Peach Bowl bid was given
outright to Vanderbilt on Thurs-
day. and to say it in football

For an idea of how the young
Wildcat football players have
adjusted and how the older ones
have settled. see stories by Joe
Kemp and John \‘ogel on pages 42
and 44 respectively.

terms. the Wildcats were pushed
back for a considerable loss.

In retrospect though. the Peach
Bowl was only one of nearly all
the bowls to make sudden
commitments this week — with
some others of which were just as
surprising.

UK coach Fran Curci analyzed

the situation and said the whole
thing may have started when the
Orange Bowl prematurely offer-
ed its two bids to Alabama and
Notre Dame (The initial date for
divulging such information was
supposed to be Nov 16 i

(‘ontinued on page 45

UK Homecoming
through the years

By JIM MAZZONI
Kernel Sports Editor

The year was 1915; the
opponent Tennessee.

This. the first annual
Homecoming game, evolved
from what was originally called
the Turkey Day game.

Since 1913, UK had annually
met Tennessee on Thanksgiving
Day, but it was the large number
of graduates who attended the
constest that influenced its name
to be changed to Homecoming.

If the rivalry then was anything
like it is today, that first
Homecoming was obviously a
great one for UK as a fellow

named “Doc" Rhodes booted two
field goab to down the Vols 6-0.

The ‘traditional' date and
opponent for Homecoming didn‘t
last long though. The following
year UK met Vanderbilt on Oct.
14 and was walloped 454).

But things were to change for
the better for good in 1946 as a
man named Paul “Bear“ Bryant
helped put UK in the football
record books.

Bryant took the Cats to four
bowls and compiled a won-lost
record of 60—23-5 during his eight
year tenure at UK.

His Homecoming record was 7-
1 and since Bryant‘s first

(‘ontinued on page it;

Kernel st." photo by Phil Grinning

Unwelcome passenger

l'iLzhl end l-'lniore \‘teplicns struggles to get free from a
I'iilaiie defender .iltci making a reception in last \ear‘s
Homecoming (mine in (oiiinioimealtli Stadium The ('ats

weren't \ en hospitable to the \ isiting team that dgn I\o\. ‘..
PITA). as tlim annihilated the (.1een \\;i\e 2:1-7

Arts and entertainmenti

Ecuadorian wood-carver
teaches students his craft

By Al. ll.\l.l.t2NBtZl{(;
Kernel Staff \\ riter

This week at the l.l\'lll}.’, Arts
and Science "enter. a \ariety ot
dedicated amateur artists. of all
ages were tackling the complex
ity of woodcrafting This session
was part of a series of workshops
offered by the center

Of course. amateur artists. no
matter how good. need gu1dance
from experts; and Jorge Riva-
deniera was just the man for the
job.

RIVAIHCNIERA is a well~
known Ecuadorian woodcrafter.
His visit here is sponsored by the
Kentucky Arts Commission and
the Kentucky-Ecuador Partners
of the Americas.

For two and a half hours.
Rivadeniera tirelessly went from
individual to individual explain-
ing technique and style in his
Spanish tongue, while Marti
Melzow. the program director of
the Kentucky Partners, inter-
preted.

Amid all the confusion and
noise of tools striking and carving
the wood, Rivadeniera was able

to talk at length about particular
techniques ol woodcratting and
about hiiiiselt as an artist

THE“. FIRST item any aspiring
“oodcrafter needs is a slab of
wood (any type the artist
prefers) 'l‘he slat) can he tlat.
irregular. or perfectly round. and
m any size

No limitations exist as to what
wood the artist uses. though some
are more suited to certain types
ol work.

Important items are. of course.
the tools These consist primarily
of gouges and chisels. all in
different sizes to suit the range of
an artist‘s needs. The wood
an artist‘s needs. The wood-
carver also needs a good strong
mallet.

The artist begins the process by
drawing a sketch of his plan on
paper. He then reproduces it to
scale on the slab of wood. The
sketch will become the relief.

AFTER (‘IAMPING the wood
down on a table or whatever else
is convient, the artist creates an

outline of the sketch by striking
(‘ontinued on page 32-

Bicentennial celebration ’

Funds set for festival projects

All projects must bear a direct
relation 10‘, but are not confined
to, the period beginning in March
1975 and ending on December 31,

FRANKFURT -- Kentucky will
receive $240,000 in two federal
grants to assist non-profit, tax-
exempt organizations and
governmental units in Specific
Bicentennial projects. Mrs. Paul
Westpheling. executive director
of the Kentucky Historical
Events Celebration (‘ommission
announced recently.

These grants. $200,000 in
appropriated funds from the US.
(‘ongress and $40,000 from the
sale of official Bicentennial
medals. are available to each of
the 50 states. the District of
(‘olumliia, the Commonwealth of
l'uerto Rico. the Virgin Islands.
(iuam and American Samoa.

l'NIH‘IIt 'I‘IIl-I recently
approved Federal guidelines at
least 50 per'cent of the total
grants to Kentucky must be
distributed on a matching fund
liasis. While at least half of the
grant money $120,000 must
be distributed to local groups or
governmental units. the
remainder may be used at the
discretion of the KHECC for
statewide projects.

The guidelines for the grants
provide a wide latitude of
discretion and authority so that
each state can best accomplish
its purpose and aims in
commemorating the nation‘s
200th anniversary

Grants will not be made in
Kentucky for administrative
purposes or for feasibility studies
for any of the qualifying
applicants. Projects to be
supported by the grants must be
based on one of the three national
thematic areas designated by the
American Revolution
Bicentennial Administration
tARBA).

THESE ARE “Heritage '76,"
which includes Observances of
the community‘s history, “What
Americans can see. touch and
feel in their historical past," the

ARBA says; "Festival USA."
which involves activities that
express the . culture, the

traditions. the hospitality and the
character of the community and
its people. and “Horizons ‘76"
including activities that will
create a sense of rededication to
goals intended to improve the
quality of life in the community.

CALL!

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Accessories

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I976. All projects must be
officially approved by the
KHECC to be eligible for grant
support.

Mrs. Westpheling expressed
the hopes “that this new grant
money will encourage an equally
impressive outpouring of private
and local resources in support of
Bicentennial activities."

WHILE No specific Kentucky
guidelines have been drawn up as
yet, pending a meeting of the
executive board of the KHECC.
Mrs. Westpheling says that in the
meantime, “applicants should
prepare a complete narrative of
the projects they wish to be
funded. including a budget of the
major costs. the types of
assistance required, the amount
of money needed and the source
of matching funds." The

narrative must be explicit and
not more than 500 words.

While no dollar amounts have
been placed on the grants. small
requests costing less than $1,000
are encouraged.

TIII‘I KENTII'KY KEKNICL. i r (la)

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Kernel Arts 257—2Ql0

The Advent 201 Cassette Deck
Represents The Most Significant
Advance In Home Music Reproduction
Since The Long-Playing Disc.

The Advent 20l is, to our way of thinking, the ideal source for playing
music in the home. It combines the important characteristics of a high per—
formance open-reel recorder with the convenience of cassettes. The 20t will
make recordings that are indistinguishable from most source material in-
cluding the best stereo records and FM broadcasts.

The performance of the 201 is the result of several important departures
in the design and manufacture of a cassette recorder. It was the first to use
the Dolby noise reduction system and the chromium dioxide tapes
crease performance and decrease tape noise, but these well known in-
novations were only starting points toward producing the world’s best
cassette recorder. Almost every part of the 201 was "over engineered" to in-
crease its ruggedness, dependability, and maintain its original performance
over long and constant use.

We invite you to come in for a free demonstration of the Advent cassette
deck. We think after listening you’ll share our enthusiasm.

Batmmjm

FREE Parking In Rear Lot

both in-

the.

232 East Main Street

~iatui‘dat'. Nm. xti. tent-tit

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Brown’s on Broadway

523.... it

Cordially invites you and your guest to
enioy one complimentary dinner when
a second dinner of equal or greater
value is purchased!

With this Ad.

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1700 N. Bmadwa y - Next to Congress Inn - 299-2712 I?

Visiting South American artist
captures moods in sculpture

Continued from Page 30

the boundary with a straight-
edged chisel. He strikes about a
quarter inch from the bounde
allowing some leeway.

The carver then uses a
curved-edge gouge to cut off the
surrounding excess and bring the
wood down to the desired level,
where the relief will show to best
advantage.

The artist then smooths and
polishes the piece. To give it the
special smoothness that is
Rivadeniara's trademark. he

then applies different tools
appropriate to the size and design
of the piece. Depending on the
work. he may require sandpaper
also.

RIVADENIERA generally pol<
ishes any piece for hours with
paste wax to get the desired
richness of wood grain and
texture.

Rivadeniera works in three
different styles of woodcraft;
Baroque, Modern. and Pre-(‘o
lumbian.

Some original adventure
are making the paperback scene!

other

When he began his career at
the age of ten. he was introduced
to Baroque —the style used in the
(‘atholic church of his country.
Rivadeniera spent years master—
ing this complex art. Baroque
style is characterized by its
exquisite and precise detail work.

ONCE RIVADENIERA mas-
tered and dominated this form of
art. he moved to a contempory
style. The transition from
complex Baroque to simple

Continued on Page 8 3

mysteries

book. The Savage Day.

All alums are invited over for OPEN
HOUSE HOUR following the game.

ByJEl-‘l-‘PETTY
Kernel Staff Writer
The paperback market today is crowded with
many books, all enticing you with brilliant
covers and bold titles. These covers usually
depict either violence or sex, and are
indistinguishable because of the general
sameness. But behind some of those covers lurk
books that are worthwhile reading
A good example are some books by a new
author Jack Higgins. Despite the usual lurid
covers. this author has written two very
engrossing books —- The Last Place God Made.
and The Savage Day. Both have much more to
offer than run-of-the-mill modern fiction. which
mostly depicts the Mafia being wiped out.

THE LAST PLACE (i0!) MADE is a book that
brings two pilots together in the Brazilian
wilderness in 1939. Hannah is the (lid American
W.W.I ace. who has sunk to running a bush plane
airline in along the Amazon and its tributaries.

Higgins'
concerns gun running into Northern Ireland, by
three people: Vaughan. a cashiered British
Army officer. Norah Murphy. an MD. and a
Harvard graduate whose childhood in Northem
lreland was less than roses; and finally Binnie,
an lit A ﬁghter who could make a pistol sit up
and do tricks

(‘ll.\lt.\("”llt development is not neglected by
lligguts lle exposes new facets of each
character slowly. gradually letting the reader in
on the motivations behind their actions

Hannah is in need of a second pilot, so when a
young tiiilgishinan named Mallory happens by.
Hannah makes sure that he stays. The
involvement of these two characters. as seen
through the eyes of Mallory keeps the plot
interesting. but the way Higgins handles the
action Ls the extra touch that raises this book
beyond the pale.

The price of a college education is skyrocketing.
Fortunately the Air Force has done something to
catch up with it. For the ﬁrst time, the Air Force
ROTC Scholarships include the 2-year program.
for both men and women. if you can qualify, the
Air Force will pay for the remainder of your college
education. Not only do AF ROTC 2-year college
scholaiships cover full tuition, but reimbursement
for textbooks, lab and incidental fees, as well as a
tax-free monthly allowance of $100.

To cash in on all this just apply. qualify. and enroll
in the Air Force ROTC at the University of
Kentucky, 606-257-1681, Major Peck.

It‘s a great way to ﬁnish your college educa-
tion in the money, and build a future where
the sky's no limit. . .as an ofﬁcer in the Air
Force.

MAKE THE MOST OF IT

Put It All Together
in Air Force ROTC

Don’t let the price of
a college education

s-o

-_.-

The alumnae of

PI BETA Plll

are invited to an OPEN
HOUSE after the game.

..................... ‘. . a rev. (- a - fr."-
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..............................................

REALTY

George Herman
Kendaﬂ
Realtor - MLS

"Golden Rule Realty"

1:-:

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§§§§auv —seu —— TRADE

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3
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if
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3:3
t3
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2-:

Rivadeniera holds :lasses

of "Living Arts Center"

(‘ontinued from page 32.

contemporary was difficult for
him.

Contemporary is much more
flowing and abstract than
Baroque. therefore it must say so
much more in fewer lines. After
working in the contemporary
style. Rivadeniera confides he
enjoys it more than any other. He
thinks its universal elements
provide a clearer picture for
everybody. Also he feels that an
artist has to live in his own time
and to keep pace with modern
trends.

Rivadeniera‘s third type of
carving style is PrevColumbian —~
an art of lncan heritage
prevalent before the Spaniards
invaded Ecuador and Peru in the
1500‘s.

The art relies heavily on
geometric shapes. less ﬂowing
than modern art. and less
detailed than Baroque. The key to
the shapes lies in the symbolism.
thch native Incas placed in
them.

THEIR (iAl'NT and powerful
masses are a natural attraction
for Rivadeniera. His most
Important technique. In general,
is his vivid use of contrast. ()ne
work, hanging in the Center,
illustrates this beautifully. The
work. called “Basket of
Flowers". Is a polished and
realislIc still 'llItr’ surrounded with
natural and untouched wood.

This kind of contrast runs all
through the artist’s work.

Rivadeniera criticizes only the
techniques and tools used in
another person's work — never
the work itself. He feels that it is
impossible to criticize the artist’s
personal touches in creative
work. Rivadeniera, himself.
bases all his works on his own
personal style.

During the workshop, Riva-
deniera applauded the dedication
of the participating artists. The
only criticisms he had were that
there were not enough tools.
However, with two years of
formal education in the art, he
said any of those present could
become proficient woodcarvers.

RIVADENIERA deplores the
fact that Special woodcrafting
schools do not exist in Kentucky.
He believes there is plenty of
untapped talent here.

All through his excursions
across Kentucky, Rivadeniera is
proving to be very popular. not
only for his artistic talent, but
for his sense of humor. For
instance. he chose to display at
the Center. a work called
"Banana Boy." where he posed a
boy holding a banana in one
hand and his penis in the other.
It‘s an incredible and surprising
work.

("ertainly, Kentucky‘s wood-
crafting artists will profit from
Rivadeniera's ability and wit.

OPEN II A.M. TO 5:” P.M.

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THE KENTUCKY KENNEL. Friday -—Saturday.Nov. 8-9. l974—2l2l

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WHY WOULD ANYBODY
TAKE ARMY ROTC?

“I wanted to fly."

Cadets who have completed the first year of the

Army ROTC Advanced Course are eligible to enroll in

the MS 344 Flight Training Program which qualifies them

for the FAA Private Pilot License.

For further information see the Professor of Military

Science - first floor Barker Hall (near the Student Center)

ARMY ROTC

the more you look at it,

the better it looks.

\rn.

For More Information
Come to Barker Hall

M—THI'J KENTUCKY KERNEL. Friday—SltWy.N0\/. I-I. [I'm

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of music to another,

Masters' voice

'Spiri'f' revives..."

By JACK KOENEMAN
and
TOM WHEELER
Kernel Staff Writers

In 1967, during the height of
rock’s stagnation days, five
young men from LA were pulled
together with one basic concept
in mind. They wanted to break
the old “get out and get the
crowds excited" mold of rock and
roll and create a group with
complete musical freedom.

They were trying for a group
that could change from one style
without
being labelled — a group named
Spirit.

SPIRIT WAS prooably manned
by some of the most able
performers around at the time.
Mark Andes came along with his
bluesey bass from Canned Heat.
Ed Cassidy, country. jazz and
classical drummer came from
Rising Sons with Taj Mahal.

In addition. the group found an
accomplished guitar man in
Randy California, who had
learned electric technique under
Jimi Hendrix. John Locke. on
keyboards. had been a fast rising
jazz star. but quit to join Spirit
because he had grown tired of
straight jazz excursions.

Coupled with those four. Jay
Ferguson, folk. blues and rock
singer rounded out the group.

The group‘s first album. simply
entitled Spirit. started out on
solid ground. Even though the LP
was somewhat commercially
oriented. the band proved that
the mold could be broken. with -
one cut in particular — “Elijah."
“Elijah" became the epitome of
Spirit‘s tone, self expression
through improvisation.

WITH The Family that Plays
Together. the second LP. Spirit
launched into virtually untread
musical ground. They began
experimenting with various stu-
dio techniques. among them.
filling those annoying 10 second
gaps between cuts with music.

This ﬁller music helped to
make their album more cohesive
and more of a complete musical
statement.

Family sold well. even gaining
popularity on top40 radio with “I
Got a Line on You."

ON THE group's third Ll’.
(‘Iear, they really mature The
album is a unique blend of
improvisational Jazz. blues and
pop (‘lear also became
financially successful with
another topttl hit. “Dark l‘lyed
Woman."

Spirit‘s mellowing down on
(‘lear led to their next big
venture, The Twelve Dreams of
Dr. Sardonicus. l)r. Sardonicus is
probably the most creative of
Spirit's works.

Lou Adler. who had produced
the first three LPs was replaced
by David Briggs. who turned out
to be even more creative with
production techniques Briggs
took the helm by introducing
Spirit to more complicated studio
techniques such as track
switching and electronic back—
drops.

THE PACKAGING of the
album was even upgraded

through the art ofJohn Locke and
Bruce McCauley; but the music

m SATURDAY NOV. 9 only $695

so‘ﬁvtt‘c’
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located on Versailles Rd.

Eli BIRRBI [XIISIZRLXBIS DIRRDI IIXIIWEIJ
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also on Saturday Nov. 9, 1974 try our
LUNCHEON BUFFET

$295

For A Real Treat, the EL DORADO Debutes Its

BREAKFAST BUFFET
SATURDAY NOV. 9 and SUNDAY NOV. 10

3275 per person

in the Conquistador Lounge
MIKE ROBINSON
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unusual entertainment for unusual people

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on the album was the most
important part. It was good
enough to make Dr. Sardonicus
one of the perennial rock epics

\‘(H'AL HARMUNIES and
guitar licks blend to form a choir-
like presence. while the qualities
in Ferguson's lead singing lend
themselves perfectly to the tone
”teach cut in short. the album is
a masterful Juxtaposmon of
technique and feeling

Possibly the most important
quality of Dr Sardonicus is the
way in which the group forms
itself into one moving body This
achieved by having each
performer in the group
contributing rather than haying
just one member write all the
songs

Even Wllh all of this going for
it. the LP did receive some bad
reviews probably the work of
reViewers w ho misunderstood the
dynamics of the group

.\l).\ll'l‘1‘rll)l.\'. Ilr Sardonr
ictis was a tough act to follow
l’artly bet ausc of this. and partly
because of the departure of key
members. Feedback. Spirit's
final album was a failure.

Randy California left to do solo
recordings; Mark Andes and Jay
Ferguson left to become co-
founders of Jo Jo (iunne; and
John Locke split to Southern
California to study music.

The only remaining member.
drummer Ed Casskly, joined Al
and John Christian Staehley but
the old ﬂavor was gone.
Feedback became just another
get up and boogie rock album.
with no distinguishing features.

BECAUSE OF this turn-
around. Feedback became the
last shovel of dirt on the grave of
the dead band.

With Spirit‘s breakup. much of
the group‘s talent was lost to
anonymity. The only notable
exceptions being

With Spirit‘s breakup. much of
the group's talent was lost to
anonimity, the only notable
exceptions being Andes and
Ferguson, who went on to develop
styles and influences of their own
with Jo .lo (tunne.

Spirit, in its [)r. Sardonicus
heyday. developed from a damn
good band into one of the best of
the period.

\\ HS

In its lifetime. Spirit's iin
leashed creativity influenced
”thf‘l‘ llrottps and broke tip the
loggiam in contemporary rotk

‘America's' new album best yet

By TOM ADAMS
Kernel Staff Writer

The distinctive, mellow sound
that is unmistakably America is
back again. The group’s new
album, Holiday. is the latest in a
line of four fine recordings.

The big difference between this
one and the previous albums is
that America has added a new
member. Willie Leacox. He
handles drums and percussion.

AMERICA ALSO makes more
use of strings, brass and other
background instruments than
they did on their other records.

Nowhere is this more evident
than the beginning of the first
side. The opening selection is a one

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minute instrumental featuring
strings and an oboe. It leads into
their current single “Tin Man."
“Lonely People" is highlighted
by a brief honky-tonk piano solo
and the group finishes the
opening side with the “oom-pah"
circus sound of “Mad Dog,"
featuring a brass chorale.

(IN Till-I FLIP side. the
nostalgic sounding tune “What
Does It Matter" is highlighted by
an accordion accompaniment.

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The concluding song, “In the
Country,” sounds much like

something Todd Rundgren would
do.

Basically, however, this side is
ordinary America, and that's
good music.

Besides Leacox, the group is
the same; Gerry Beckley, Dewey
Bunnell, and Dan Peek. It’s

'PiIgrim PIayers' perform
Ibsen's tragic 'Ghosts'

Canterbury Pilgrim Playhouse
opens Friday with ”Ghosts,"
Ibsen ‘5 modern tragedy that was
one of the first plays to question
conventional sexual morality.

The play was almost
immediately contraband upon its
publication in 1881, and finally
received its world premiere in
(‘hicago in May of 1882 - and this
was the first production on record
of anv Ibsen play in America.

"GHOSTS“ is concerned with
Mrs. Alving, played by Janie
Lums, a woman who leaves her
husband, but is persuaded by the
pastor tDan Chapman) to return
home; one result of her action is
the birth of her son Oswald
tI-‘rank Hopkins) who has
inherited his father‘s syphilis.
She must progress from one

llm mg a problem deciding on:

? HIGH

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impossible to list them with
specific part because they play
different instruments at different
times.

EACH OF THE three original
members also wrote at least
three of the songs on Holiday.

No matter who does what, it's a
good sound and a good album. It
just might be their best.

ﬁrm moo
WILKES

24 Hours Per Day— Stereo

‘

Next time you see someone polluting,
pamt’ it out.
Keep America Beautiful- g

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crisis to another and parallel to
her decisions, which always
involve the lives of others, is her
own personal voyage of self-
discovery.

Mrs. Alving‘s maid Regina is
played by Wilma Smart and
Regina’s father Engstrand by
John Barker Gray.

Canterbury is a small and
intimate theatre which allows the
audience close contact with the
actors; and the Players are
staging “Ghosts" with a design
concept never before used at
Canterbury.

“Ghosts" plays this Friday
through Sunday and November
15-16at 8:30 p.m.; a matinee will
be given Sunday, Nov. 17 at 2:30
p.m. Reservations may be made
by calling Dale Chapman at 254-

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Complete line of Tennis, Squash, Racquet Ball

(‘ontinued from Page 39

She told of a portrait that she had done that
closely resembled a portrait done by Leonardo
l)a Vinci » one she had never seen. "Maybe it's
reincarnation I don't know." she said.

and Handball equipment

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1.1-09"; New Fine Arts Library expands
student facilities and services

over class material anytime. but The art library's basic need

“.\'I‘ 'l‘lMl-IS. I feel as it‘ some force is pushing
my hand," Greenfield said speaking of her
technique. “My work doesn't always come out
the way l intend it “
Speakingol‘her art. Greenfield said. "I like to
think in) works have teeling. wamith and an ”Hum.“ is “so part of
unusual composition. Art should be that way " (ireenfield‘s exhibit.

‘

“The atmosphere is better

here. There‘s a window to look (‘Spccially during weekends. now is for more money for books
our alums out of‘with green ouisldcjt'g not whereas in the old Fine Arts and periodical acquisition to

as noisy as the old library." said library the box was available support the art department

to HOMECOMI N G a Student studying in the "CW art "”1." lllll‘mtl ”W “Wk curriculum. said tiibson .-\
library. A vertical tile containing certain amount ol thelt and

The art library. which split in information on local artists. mutilation takes place but the

Januarv from the Fine Arts study carrels, and a copy librarian also said she doesn't

library. is located in the new machine have been added to the consider it to l)(' out ot proportion

addition to the M. 1. King library facilities as compared w ith other libraries
‘ V ' I - i V i a - \ ‘ l . _

labrar}. l‘ht H '5 ‘lll’ I“ ”[|- m n " l be people who use this

IT'S A Bl(‘ im rovement over 1- - i; w ’ - l v l 'llltlt'tll.
th Id ' p t d ‘H I“ In th‘ num )H (t \ \ lilirar} are generally considerate
e 0 arran emen , accor in 1 w l i \‘ T 5 .. ~
’ g . g ”ml" the nu h )r 'r- h] ot others. said (.ibson
to art librarian Norma J98“ lollows a trend in all the tTK

SM EA R u A "D I ' Gibson, There is "00m "0“ for libraries, said tlibson 'l‘liezirt lll)l'(il‘)' hou